Pay the Devil (1999) Read online

  Table of Contents

  Title Page

  Copyright Page

  Epigraph

  IRELAND - 1865

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Praise for Jack Higgins and his bestselling novels . . .

  FLIGHT OF EAGLES

  In the early days of WWII, two brothers, separated as boys, meet as enemies in the deadly skies above Europe . . .

  “A tightly wound, old-fashioned tale of brave men (and women) who fight with consummate honor and who meet death, when it comes, with a rueful grin.”

  —Publishers Weekly

  “A finely wrought saga of honor and family in an era long gone—but not at all forgotten.”

  —People

  THE PRESIDENT’S DAUGHTER

  Three heroic agents race to stop a group of extremists before they can force the United States to launch a nuclear attack against the Middle East . . .

  “All of Higgins’s skill in weaving together a tight story with plenty of action, appealing heroes, and dastardly villains is exhibited in The President’s Daughter, making it another worthy addition to his prolific repertoire.”

  —Chattanooga Free Press

  NIGHT JUDGEMENT AT SINOS

  On the prison island of Sinos, one man holds the fate of thousands in his hands . . .

  “This is one you won’t put down.”

  —New York Times

  DRINK WITH THE DEVIL

  The blockbuster New York Times bestseller—two adversaries search for stolen gold in a deadly treasure hunt with worldwide consequences . . .

  “A most intoxicating thriller.”

  —Associated Press

  “It is Dillon’s likability and the author’s adroitness in giving his character the room he needs that make Higgins’s novels so readable.”

  —Washington Times

  YEAR OF THE TIGER

  Higgins’s novel of Cold War espionage and blistering suspense. A scientist holding the key to the Space Race becomes the object of a worldwide manhunt . . .

  “Higgins spins as mean a tale as Ludlum, Forsythe, or any of them.”

  —Philadelphia Daily News

  “A seasoned pro . . . Mr. Higgins knows how to tell a story.”

  —New York Times Book Review

  ANGEL OF DEATH

  Jack Higgins’s electrifying bestseller—a mysterious terrorist group plots an assassination that will plunge Ireland into civil war . . .

  “Pulsing excitement . . . Higgins makes the pages fly.”

  —New York Daily News

  “Jack Higgins has a new thriller, and like its long list of predecessors, it’s a terrific read.”

  —Associated Press

  MIDNIGHT MAN (also published as Eye of the Storm)

  A duel between two masters of espionage culminates in an attempted mortar attack on the British war cabinet—in this shocking thriller that blends fact and fiction . . .

  “A heart-stopping cat-and-mouse game . . . spectacular and surprising.”

  —Abilene Reporter-News

  “Will leave readers happily breathless.”

  —Kirkus Reviews

  “Razor-edged . . . It’s a winner.”

  —Tulsa World

  ON DANGEROUS GROUND

  Jack Higgins’s explosive thriller—the desperate search for a secret document that could change the fate of Hong Kong, China, and the world . . .

  “It’s a whirlwind of action, with a hero who can out-Bond old James with one hand tied behind his back . . . It’s told in the author’s best style, with never a pause for breath.”

  —New York Times Book Review

  “A powerhouse tale of action and adventure.”

  —Tampa Tribune-Times

  SHEBA

  His most powerful novel of Nazi intrigue—the shattering story of an archaeologist who discovers a legendary temple . . . and a Nazi plot to turn the landmark into Hitler’s secret stronghold . . .

  “Jack Higgins is the master . . . ”

  —Tom Clancy

  “When it comes to thriller writers, one name stands well above the crowd—Jack Higgins.”

  —Associated Press

  THUNDER POINT

  The shattering bestseller about the search for Martin Bormann’s missing files—in a sunken U-boat on the bottom of the Caribbean . . .

  “Dramatic . . . authentic . . . one of the author’s best.”

  —New York Times

  “A rollicking adventure that twists and turns.”

  —San Diego Union-Tribune

  Also by Jack Higgins

  THE WHITE HOUSE CONNECTION

  EAST OF DESOLATION

  THE PRESIDENT’S DAUGHTER

  YEAR OF THE TIGER

  DRINK WITH THE DEVIL

  ANGEL OF DEATH

  SHEBA

  ON DANGEROUS GROUND

  THUNDER POINT

  MIDNIGHT MAN (also published as

  EYE OF THE STORM)

  THE EAGLE HAS FLOWN

  COLD HARBOUR

  MEMORIES OF A DANCE-HALL ROMEO

  A SEASON IN HELL

  NIGHT OF THE FOX

  CONFESSIONAL

  EXOCET

  TOUCH THE DEVIL

  LUCIANO’S LUCK

  SOLO

  DAY OF JUDGEMENT

  STORM WARNING

  THE LAST PLACE GOD MADE

  A PRAYER FOR THE DYING

  THE EAGLE HAS LANDED

  THE RUN TO MORNING

  DILLINGER

  TO CATCH A KING

  THE VALHALLA EXCHANGE

  This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.

  PAY THE DEVIL

  A Berkley Book / published by arrangement with

  the author

  PRINTING HISTORY

  Berkley edition / November 1999

  All rights reserved.

  Copyright © 1999 by Jack Higgins.

  This book may not be reproduced in whole or in part,

  by mimeograph or any other means, without permission.

  For information address: The Berkley Publishing Group,

  a division of Penguin Putnam Inc.,

  375 Hudson Street, New York, New York 10014.

  The Penguin Putnam Inc. World Wide Web site address is

  http://www.penguinputnam.com

  eISBN : 978-1-101-05305-8

  BERKLEY®

  Berkley Books are published

  by The Berkley Publishing Group,

  a division of Penguin Putnam Inc.,

  375 Hudson Street, New York, New York 10014.

  BERKLEY and the “B” logo are trademarks

  belonging to Penguin Putnam Inc.

  http://us.penguingroup.com

  Take care, for after raising him, it becomes necessary to pay the Devil his due.

  Irish saying

  APPOMATTOX STATION

  1865

  PROLOGUE

  They were hanging a man on the bridge below as Clay Fitzgerald rode through the trees on the hill. It was raining heavily, dripping from his felt campaign hat, soaking into the caped shoulders of his shabby grey military greatcoat.

  The man who followed him was black, of middle years, tall and thin with aquiline features that hinted at mixed blo
od. Like Clay, he wore a felt hat and a frieze coat crossed by a bandolier of shotgun shells.

  “We got a problem, General?”

  “I’d say so, Josh. Let me have that spyglass of yours, and I wish you wouldn’t call me general. I only had one hundred and twenty-three men left in the brigade when General Lee gave me the appointment. Now it’s more like twenty.”

  Behind them a young horseman eased out of the trees wearing a long cavalry coat in oilskin, Fitzgerald’s galloper, Corporal Tyree.

  “Trouble, General?”

  “Could be. Stay close.”

  Clay Fitzgerald took the spyglass then produced a silver box from a pocket, selected a black cheroot and lit it with a lucifer match. He dismounted and walked to the edge of the trees. Black eyes brooded in a tanned face, the skin stretched tightly over prominent cheekbones, one of them disfigured by a sabre scar. It was a hard face, the face of a man few would care to offend, and there was a quality of calm about him, of complete self-possession, that was disturbing.

  Eight men on horseback advanced on the bridge below, hooves drumming on the wooden planks. At that stage in the war, it was difficult to distinguish which uniforms they wore, and it was the same with the two prisoners dragged behind, ropes around their necks.

  As Clay watched, there was laughter and then a rope was thrown over a bridge support beam, a rider urged his horse away and one of the prisoners went up kicking. There was more laughter, flat in the rain. Clay Fitzgerald swung into the saddle.

  He said to Tyree, “Find the men and fast.” Tyree turned his horse and was away.

  Josh said, “Are you going to be foolish again?”

  “I’ve never been good at standing by, you know that. Wait here.”

  Josh said, “With the general’s permission, I’d like to point out that when your daddy made me your body servant, you was eight years old. I’ve whipped your backside more than once, but only when you needed it, and I’ve gone through four years of stinking war with you.”

  “So what are you trying to say? That you always got your own way?”

  “Of course, so let’s do it,” and Josh put his heels to his horse.

  They went down fast, pulled in and cantered onto the bridge. The eight men, milling around the remaining prisoner, laughing and shouting, settled down and turned. They were all bearded and of a rough turn and armed to the teeth, the uniforms so worn that it was difficult to determine whether they were blue or grey.

  The prisoner on the end of a rope was very young and wore a shabby Confederate uniform.

  He was soaked to the skin, blue with cold and despairing, shaking with fear.

  Clay and Joshua reined in. Clay sat there, the cheroot in his teeth; Josh kept slightly back, his right hand in the capacious pocket of his frieze coat. The man who urged his horse toward them wore a long riding coat over whatever uniform. His face was hard, empty of any emotion, black-bearded. He reined up and took in Clay’s rank insignia on his collar.

  “Well, now, boys, what have we got here? A Reb cavalry colonel.”

  “Hey, he could be worth money,” one of the men said.

  It was quiet, the rain rushing down. Clay said, “Who am I dealing with?”

  “Name’s Harker; and who might you be?”

  It was Josh who answered. “This here is Brigadier General Clay Fitzgerald, so you mind your manners.”

  “And you mind your mouth, nigger,” Harker told him. He turned back to Clay. “So what do you want, General?”

  “The boy here,” Clay said. “Just give me the boy.”

  Harker laughed out loud. “The boy? Sure. My pleasure.”

  He snatched the rope holding the young prisoner from one of the men, urged his horse forward and reined in, kicking the boy over the edge of the bridge. The rope tightened.

  He turned. “How do you like that, General?”

  Clay pulled out his sabre and sliced the rope left-handed. His right came up from under the cavalry greatcoat, holding a Dragoon Colt. He shot Harker between the eyes, turned his horse and shot the rifleman behind him. Josh pulled a sawn-off shotgun from the pocket of the frieze coat, shot one man on his left in the face, then as fire was returned, ducked low in the saddle and fired again beneath his mount’s neck. At the same moment, there was a chorus of rebel yells, and Tyree and a scattering of horsemen came down the hill.

  The four men left on the bridge turned to gallop away, and a volley of shots emptied their saddles. The riders milled around, one of them a small man with sergeant’s stripes on a battered grey uniform.

  “General?”

  “Good man, Jackson.” Clay pulled his mount in at the edge of the bridge and looked down. The boy was on his hands and knees on a sand-bank, wrists still tied. “Send someone down to retrieve him.”

  Jackson wheeled away to give the order and Josh, who was talking to the cavalrymen, came over.

  “Don’t do that to me again, General. This war is over.”

  “You sure about that?”

  “General Lee’s been pushing toward Appomattox Station looking for supplies and relief, only our boys have found there’s nothing there: Lee’s got twenty thousand men left. Grant’s got sixty. It’s over, General.”

  “And where’s Lee now?”

  “Place called Turk’s Crossing. He’s overnighting there.”

  Clay looked over the rail of the bridge, where three of his men had reached the boy. “Good,” he said. “Then let’s go and find him.”

  When he and his men slipped through the Yankee lines, it was raining heavily. Turk’s Crossing was a poor sort of place. General Lee was billeted in a small farmhouse, had preferred the barn. The doors stood open and someone had lit a fire inside. The staff, and what was left of his men, were camped around in field tents.

  When Clay and his men moved in, Tyree had the day’s password when the pickets challenged them. It was always a difficult moment. After all, it was Confederate pickets who had killed General Stonewall Jackson after Chancellorsville.

  Clay reined in beside the farm and turned to Sergeant Jackson. “You and the boys find some food. I’ll see you later.”

  The riders moved away. Josh dismounted and held his bridle and Clay’s. “What now?”

  A young aide moved out of the barn. “General Fitzgerald?”

  “That’s right.”

  “General Lee would be delighted to see you, sir. We thought we’d lost you.”

  Josh said, “I’ll hang around, General. You might need me.”

  Lee was surprisingly well-dressed in an excellent Confederate uniform, and sat at a table his staff had set up by the fire, his hair very white.

  Clay Fitzgerald walked in. “General.”

  Lee said, “Sorry I can’t call you general any longer, Clay. Couldn’t get your brigade command ratified. We’re into the final end of things, so you’re back to colonel. Heard you’ve been in action again.”

  “One of those things.”

  “Always is, with you.”

  At that moment, a young captain came out of the shadows. He wore a grey frock coat over his shoulders, his left arm in a sling, and carried a paper, which he handed to Lee.

  “Latest report, General. The army’s fading away. Lucky if we’ve got fifteen thousand left.”

  He swayed and almost fell. Lee said, “Sit down, Brown. The arm, not good?”

  “Terrible, General.”

  “Well, you’re in luck. I have here the only general cavalry officer in the Confederate army, Colonel Clay Fitzgerald, who’s also a surgeon.”

  Brown turned to Clay. “Colonel? I had a message for you,” and then he slumped to one knee.

  Clay got him to a chair, turned and called, “Josh—my surgical bag and fast.”

  The wound was nasty, obviously a sabre slash. Brown was sweating and in great pain.

  “I’d say ten stitches,” Clay said. “And whiskey, just to clean the wound.”

  “Some men might say that’s a waste of good liquor,” Lee said.
r />   “Well, it seems to work, General.” Clay turned as Josh came in with the surgical bag. “Should be some laudanum left in there.”

  Lee said, “So you’re still around, Josh. It’s a miracle.”

  “You, me and Colonel Clay, sir. Lot of water under the bridge.”

  He opened the bag and Brown said, “No laudanum, Colonel.”

  “It could put you out if I give you enough, Captain. Kill the pain.”

  “No, thanks. I must have my brain working.

  The general needs me. Whiskey will do fine, Colonel. Let’s get on with it.”

  Clay glanced at Lee, who nodded. “A brave boy, and he’s entitled to his choice. Just do it, Colonel,” and there was iron in his voice.

  “Then with your permission, sir.”

  He nodded to Josh, who took the bottle of whiskey that stood on Lee’s table, uncorked it and held it to Brown’s lips.

  “Much as you can take, Captain.”

  Brown nodded, swallowed, then swallowed again. He nodded. “Enough.”

  Clay said, “Thread a needle, Josh.” He bared Brown’s arm. “You’ll feel this. Just hang in there.”